Art, Scholarship, Community: Experiences of Viewing
DOI:
https://doi.org/10.31273/eirj.v4i2.162Keywords:
art, community, viewing, collaboration, inter-disciplinarity, public engagement, spirituality, emotionAbstract
This critical reflection originated in a visit to the ‘Artists and Academics’ exhibition held at Fargo Creative Village, Coventry, 26 November 2016. My thoughts about the exhibition have served as a springboard to consider ideas of scholarship, art and community more broadly. I use my research on British artists from the early twentieth century, their ideas about the processes of viewing art and the spiritual in art, to discuss examples in the exhibition. I conclude by considering how this collaborative event can bring academic ideas into conversation with artworks. I suggest that the resulting exchanges may enable viewers to think differently about art and scholarship as well as enrich academic practice.
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References
Unpublished:
Eden, Alice, (2016), ‘Women, representation and the spiritual in the paintings of Thomas Cooper Gotch, Robert Anning Bell and Frederick Cayley Robinson’, unpublished PhD thesis, University of Warwick
Gotch, Thomas Cooper, (1919), ‘Revolution in Art’, transcript of lecture, Tate Archive, London: TGA 9019/2/6/37-38
Gotch, Thomas Cooper, 'Phases of Art: Past', (19th April, 1898), transcript of lecture, Tate Archive, London: TGA 9019/2/6/2-12, TGA 9019/2/6: Writings and Papers
Gotch, Thomas Cooper, ‘Phases of Art: Present,' (26th April, 1898), transcript of lecture, Tate Archive, London: TGA 9019/2/6/2-12, TGA 9019/2/6: Writings and Papers
Moore, Daniel, (Forthcoming), British Modernism and Public Taste: OUP
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