A Brief Journal History
Founded as Exchanges: The Warwick Research Journal with a seven-member Editorial Board. The team is led by the first Senior Editor Hannah Grainger-Clemson, with Board members all drawn from Warwick’s Institute of Advanced Study’s (IAS) Early Career Fellows programme. The IAS operates as the title’s sponsor and publisher, on behalf of the University.
The Inaugural Issue 1(1) is published in October with as Oliver Sacks the featured cover star.
Issue 1(2) is published in April, under an editorial collective without a definitive lead. This would continue for the next few issues. The photo themed covers continued with Mona Siddiqui appearing.
Issue 2(1) is published in October, and the final photo cover star was Eric Foner.
Issue 2(2) is published in April, and introduced a new blue cover colour design surmounted with a multicoloured image. This ‘rainbow themed’ cover idea continues to the present day, albeit with various modified elements.
Issue 3(1) is published in October, with Naomi Pullin listed as the new Senior Editor
Issue 3(2) is published in April, with Yuexi Liu stepping in as the third Senior Editor, a position they will occupy through to early 2018.
Issue 4(1) is published in October.
Issue 4(2) is published in April.
The appointment of a new Director for the IAS, with the ultimate responsibility for journal under their remit, heralds a period of re-examination and adjustment of the title’s purpose and aspirations.
Issue 5(1) is published in October and welcomes aboard the first Monash University members of the editorial Board.
New leading editor, Gareth J Johnson is appointed with two major revisions to the title soon follow. Firstly, it is renamed as Exchanges: The Interdisciplinary Research Journal, to indicate the increasingly international aspirations of its board and contributors. Moreover, the lead editor role is rebranded as the Managing Editor-in-Chief to better reflect the post’s broadening remit and ambitions.
Issue 5(2) representing the tenth issue overall is published in June. The small publication delay due to the changeover in personnel behind the scenes. It is also the first to bear the new title suffix.
Issue 6(1) is published in November, and welcomes aboard the first editors based at Shanghai Jiao Tong University, China onto the Board.
Early this year discussions concerning two disciplinary areas – Cannibalism and Climate Fiction (cli-fi) - lead to preparations for Exchanges first themed special issues. Allied with these moves, are efforts to welcome the first associate editors aboard the team to specifically support the production of these issues, in concert with the Editors Board members. The experiences on these two issues would serve to shape the pragmatics behind future special issue projects.
Issue 6(2) is published in May is the last issue to utilise the exact cover template first adopted in 2015. In this issue the journal welcomes more new international Board members, drawn from the Vrije Universiteit Brussel, Belgium.
The Editor-in-Chief visits Italy and the International Conference of the Utopian Studies Society-Europe to promote contributions for the Climate Fiction special issue.
Issue 7(1) is published in October and introduces a light updating of the cover design with a new circular central image and lighter background colour. The rainbow theme of the central image persists although the journal’s banner title font is updated to include a dropped shadow.
Towards the end of the year, an approach from former contributors to the journal sees the initiation of third special issue project – dedicated this time to papers concerned with Nerd Culture around the world.
January witnessed a meeting to discuss and initiate a fourth special issue project, related to the Faculty of Art at Warwick’s research project and exhibition – Then & Now - involving students from all levels. Recruitment and training of more associate editors for this and the Nerds issue followed in the subsequent months.
Issue 7(2), the first special issue and one dedicated to papers on and relating to Cannibalism is successfully published almost a year to the day from its initiation.
The Exchanges Discourse podcast is launched, with some episodes featuring a mix of information about the journal and publishing, and others devoted to interviews with authors and other contributors.
Issue 7(3) is published in June, representing the first third issue in a single volume for the journal. The issue also welcomes new Editorial Board members based at the Université de Cergy-Pontoise, France.
Issue 8(1) is published in October. Alongside the issue discussions had begun in planning the fifth special issue project. This special issue would be practically linked to a British Academy funded series of writing workshops for early career researchers and thematically associated with the Anthropocene.
Issue 8(2) is published in February, just over two years since the project began, and represents the second special issue of the title to be published successfully. The issue is dedicated to papers deriving from or inspired by the 20th International Conference of the Utopian Studies Society on the subject of climate-fiction.
March sees a successful two-day online workshop drawing together scholars as part of the preparations for the Cultural Representations of Nerds special issue. Speakers are all invited to contribute to the special issue.
Issue 8(3) is published in May.
Issue 8(4) is published in August and is the journal’s third special issue, incorporating contributions linked to the Then & Now: Arts at Warwick project and exhibition. This issue appeared some eighteen months after preparations first began.
September saw the first of two online writing workshops hosted by the Editor-in-Chief as part of the Anthropocene special issue preparations. All workshop delegates would be subsequently invited to participate as authors and associate editors for the special issue.
Issue 9(1) published in October, sees a further update to the cover template alongside celebrations of the journal’s twentieth issue overall. Shifting to a green palate, the central rainbow themed image now includes a subtle reflection effect. The banner title font also removes its dropped shadow to increase clarity of the journal’s name.
Also in October is the call for contributions to our sixth special issue project went live. This time the theme was around Translation and Plurality.
The final Anthropocene special issue workshop was led by the Editor-in-Chief. Recruitment and training of new associate editors launched at this point too for both this and the Translation special issue.
January saw the activation of altimetric for each article in the journal, providing a measure beyond raw downloads on engagement with each piece.
Issue 9(2) is published in April. Alongside it is a call for contributions for the tenth anniversary issue of the journal, tentatively scheduled for publication in October 2023.
Issue 9(3), the fourth special issue, focussing on Nerd Culture is anticipated for publication in August.
Issue 10(1) is anticipated for publication in October.